Cheng-Han Wu is a dramaturg, playwright, and translator specializing in plays. He has served as dramaturg for over 70 works, ranging from plays, musicals, screenplays and interdisciplinary performances. His collaborations span artists and theatres across Taiwan, Mainland China, Hong Kong, Macau, South Korea, and the United States. He has taught dramaturgy at National Taiwan University and organized the Musical Theatre Writing Program for the Taipei Performing Arts Center. In 2022, he was awarded an Asian Cultural Council (ACC) Fellowship to study new play development in New York City. In 2024, he founded the Prologue Center for New Plays, the first organization in Taiwan dedicated to new play development. He holds an MFA in Dramaturgy and Dramatic Criticism from Yale School of Drama.

Kuan-Ting Lin is a Taiwan-based playwright and translator. His play includes Long Live the Mango Tree, and his translation credits include Every Brilliant Thing and Lungs by Duncan Macmillan. Lin holds a B.A. in English with a minor in Drama and Theatre from National Taiwan University.

Yi-Ming is a Taiwanese writer and dramaturg currently completing a MFA in Dramaturgy at Columbia University. His dramaturgical practice often involves experimenting with diverse narrative traditions and exploring materiality in theatre. In addition, his own works frequently engage with themes of national identity and everyday conversation. Yi-Ming’s previous projects include serving as a dramaturg for Cabin, A Hunger Artist, New Year's Eve Dinner, In the Bronx Brown Girls Can See Stars Too, and Peer Gynt; director Old Times and Rapunzel; and playwright Landscape in the Mist and Liang Zhu.

Bo-Hua Lin is an M.F.A. candidate in Dramaturgy at the University of Iowa and a member of the Iowa Playwrights Workshop. As part of his graduate program, he has taught General Education Literature. Prior to this, he worked in Taiwan as a theatre consultant at Yitai Performance, Arts, Technology Inc. He also works as a stage designer and holds a B.F.A. in Theatre Design from Taipei National University of the Arts.

Shan Yeh is a writer whose essays have found their way into platforms such as Oranje Express, Shopping Design magazine, and the literary supplement of Sin Chew Daily, among others. She was the publisher and editor-in-chief of Fish&Fish Publishing Co., Ltd. She earned a Master’s in Dramaturgy from the University of Amsterdam, a Master’s in Performance and Culture from Goldsmiths, University of London, and a B.A. in drama and theatre from National Taiwan University, Yeh now resides in Amsterdam, continuing to explore the spaces between text, performance, and everyday life.

An awarded community organizer, art administrator and theater maker dedicated to public engagement, Mu-Hsi is also an information professional working at a local public library. Based in the NYC metro area, she is passionate for facilitating cultural exchanges and educational initiatives, assisting community members to grow and develop through arts and theater. 

Yu-Ting Yeh is a Taiwanese theatre director, producer, and the co-founder of Goaty Ensemble. His recent directing credits include Notes in the Darkroom, Long Live the Mango Tree, Two Women, One Man and a Pot of Tomato Potato Soup (staged reading, Prologue New Play Festival), and My Sister (staged reading, 2023 Theatrical Reader IX). Yeh holds a B.A. in Theatre and Drama from National Taiwan University.