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媒體報導




Thriving in an Either-Or World
An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek
2025年11月25日


Curtain-Up in Taipei: A City Stages Its Own Tonys
In New York City, the window between May and June signals the arrival of Tony Awards season. Smaller venues often avoid launching new productions during this time, knowing that critics are unlikely to look at a scrappy puppet show downtown when Broadway’s top contenders are in full swing. Whether or not one favors commercial theatre, the excitement in the Theater District is difficult to ignore. Passionate crowds line up for the season’s popular shows, hoping to catch a glimp
2025年6月28日


Exploring a Global Vision in the Sinosphere
An Interview with Katherine Chou, Chair of the World Sinophone Drama Competition for Young Playwrights
2025年6月24日


On Creativity, Labor, and Uncertainty
An Interview with Taiwanese Playwright Yu-Chia Wei
2025年6月23日


Playwriting Awards in Taiwan: Recognition and Reality
Chien-Cheng Chen’s Millennium (在世紀末不可能發生的事). Courtesy of Genesis Ensemble. Photo by Yung-Yu Yang. Playwriting awards have always been a promised land for playwrights. For emerging storytellers, being awarded is like being recognized not only as an enthusiast but as a professional; for established writers, winning a major award serves as an acknowledgment of their mastery. This power to bestow prestige on individual playwrights makes awards a strong motivator for creating new
2025年2月14日


The Images of Me: 2024 Prologue New Play Festival
The Prologue Center for New Plays is launching the Prologue New Play Festival, with four new plays to be presented from September through December.
2024年11月25日


New Buds on a Fertile Island: New Play Development in Taiwan, Part 2
Dr. Katherine Hui-Ling Chou, Chair of the World Sinophone Drama Competition for Young Playwrights, giving lecture as a guest speaker of the Prologue Center's International Play Salon. Photo courtesy of the Prologue Center for New Plays. Having worked as a dramaturg, theatre critic, and educator for over ten years, Cheng-Han Wu noticed that in recent years, the theatre in Taiwan has been increasingly market-oriented. As a result, playwriting has become dominated by realism, se
2024年7月11日


An Interview with Cheng-Han Wu
Current ACC Individual Fellowship grantee, Cheng-Han Wu, recently sat down with ACC’s Marketing and Communications Manager, Caroline Lim, to speak about his ongoing Fellowship experience in New York.
2022年12月19日
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